Those of you with way too much time on their hands may have noticed that reflections on water is a recurring theme in my images. I know its a cliche, but hey! Cliche images only become so because they work. The images I’ve uploaded span a good few years; although most were taken in the past four, the Loch Ness image pre-dates that by quite some time. Consequently the pictures include both digital and film originated images. I’ve also chosen pictures from around the World: from San Diego’s bay-side to rural Devon,Southwest England, through to the Navua River creek at the southern tip of Fiji’s largest island Viti Levu, and back to the northern hemisphere to the shores of Loch Ness, northern Scotland during a particularly hard winter. You won’t find a great many bright summer days amongst my pictures. Not that I don’t enjoy the sun as much as anyone else, but it’s rarely dramatic. I much prefer the low light of dusk and dawn or winter days when the sun bobbles along the horizon, creating light and shadow that I can play with. Although I cut my teeth working underwater with a purely mechanical camera devoid of even a light meter, I’m not really a purist and will use Photoshop or whatever tools are at my disposal to enhance an image. To me it is not that different from dodging and burning photographic paper. However, you don’t great create a good image from a mediocre one straight out of the camera. For me at least, what I see through the lens in 95% of the final image and getting that image on to the camera’s sensor is 95% of the work. Everything after that is dressing. Two of the photographs were taken in the 30 minutes or so before dawn. For me that’s a magical time; very still, the World haven not fully woken. A not-so-magical time is when my alarm goes off at 4:30a.m., but if I do force myself out of bed it is often well worth the effort. The final image of Exeter historic quay was actually an evening shot, around 9p.m. on a warm evening in early June. The sun had just set, leaving a dramatic sky but with most of the quayside in deep shadow. To bring out this detail I created an HDR (High Dynamic Range) image as a composite from four seperate images covering (if memory serves me correctly) six full stops. The images were then processed using Photomatix and Photoshop. The hardest part of compilations like these are what to leave out. Thus reflections is a theme I will no doubt return to, with a ‘Reflections’ gallery up soon. All feedback, including reports of any gliches, most welcome.
The Turf Locks Pub, Turf Lock, Exeter Canal, Devon, England. Image No MBI000900. Please email me, quoting this number if you’d like to licence use of this image.
Yachts reflected on the calm waters of Exeter Canal on a winter’s day Image No. MBI000775. Please email me, quoting this number if you’d like to licence use of this image.
. Sunrise over the Navua River, Viti Levu, Fiji. Image No. MBI000583. Please email me, quoting this number if you’d like to licence use of this image.
Frozen birch trees and snow-capped mountains reflected on the waters of Loch Ness, Scotland. Image No. MBI000124. Please email me, quoting this number if you’d like to licence use of this image.
.Exeter quayside at night. Exeter’s historic quayside. Devon, England . Image No. MBI000890. Please email me, quoting this number if you’d like to licence use of this image.