A small stream Dunsford Wood, Teign Valley, Devon, England.
Like all photographers I am sometimes asked how I created certain images, and how difficult getting certain pictures were. The answer in most cases is ‘not that difficult provided you’ve planned it and are well prepared’. But sometimes I just make things difficult for myself.
The above picture is a long exposure, 30 seconds in this case, used to blur movement (in the above picture the flowing water) producing a milky, fluid and slightly surreal look to the flowing stream. Obviously the amount of light hitting the camera sensor has to be limited to compensate for such a long exposure. Stopping down to a very small aperture helps but will only get you so far, rarely all the way to 30 seconds exposure. Stacking neutral density filters in front of the lens is one way, but a simpler way (especially this time of year when days are short) is to shoot at dusk, when light levels are naturally low and long shutter speeds are not merely desirable but also necessary.
Late Christmas Day I made a snap decision to get out on to Dartmoor, go for a walk and get some nice images. I left in a rush, trying to multi-task ineffectively as usual. The moor was not inspiring – low grey cloud and steady drizzle do not make for great pictures, so I turned around and reluctantly headed home. Light was fading fast when I found this little stream in the steep, wooded valley of the River Teign. I pulled over and decided to try and get some shots. This was where my rushing and lack of preparation came home to roost. I realised I had left my walking boots by the entrance to my boat and had only the city shoes I was wearing with me. Worse still, upon opening my tripod case (not checked before I left) I discovered that somehow the tripod head had snapped in two (I’ll be writing to Manfrotto shortly). Luckily I also had a small, six inch, tabletop tripod with me, but that meant actually getting in to the stream and perching it on top of boulders if I were obtain any useable shots. By the time I found a suitable spot along the stream it was about 4:15pm and getting gloomier by the minute. A quick scan around confirmed that there were no suitable boulders at the edge of the stream on which to mount the tripod; there was no alternative, shoes and socks had to come off and I had to wade out in to the middle of the stream. Thirty minutes later I stumbled to the side. The light had well and truly gone, so it was time to pack up. I had by then also lost all feeling below the ankles. It was not until i started driving home again that feeling began to return to my feet, doing so in painful waves as flow returned to constricted blood vessels. I had ample time to reflect on the stupidity of my lack of planning. My first actions the following day were to buy a spare tripod and place wellingtons and thick socks on the boot of my car in readiness. Hopefully that is at least one mistake I won’t repeat. Meanwhile I have now place some of these images in my art images of Devon Landscapes Gallery. This can be viewed (and prints purchased) here. Hopefully it was worth the effort. Colin
San Diego Harbour just before dawn. San Diego, California, USA. Image No. MBI000889. Please email me, quoting this number if you’d like to license use of this image.
Yachts silhouetted just before dawn, San Diego harbour. Image MBI000899.
Those of you with way too much time on their hands may have noticed that reflections on water is a recurring theme in my images. I know its a cliche, but hey! Cliche images only become so because they work. The images I’ve uploaded span a good few years; although most were taken in the past four, the Loch Ness image pre-dates that by quite some time. Consequently the pictures include both digital and film originated images. I’ve also chosen pictures from around the World: from San Diego’s bay-side to rural Devon,Southwest England, through to the Navua River creek at the southern tip of Fiji’s largest island Viti Levu, and back to the northern hemisphere to the shores of Loch Ness, northern Scotland during a particularly hard winter. You won’t find a great many bright summer days amongst my pictures. Not that I don’t enjoy the sun as much as anyone else, but it’s rarely dramatic. I much prefer the low light of dusk and dawn or winter days when the sun bobbles along the horizon, creating light and shadow that I can play with. Although I cut my teeth working underwater with a purely mechanical camera devoid of even a light meter, I’m not really a purist and will use Photoshop or whatever tools are at my disposal to enhance an image. To me it is not that different from dodging and burning photographic paper. However, you don’t great create a good image from a mediocre one straight out of the camera. For me at least, what I see through the lens in 95% of the final image and getting that image on to the camera’s sensor is 95% of the work. Everything after that is dressing. Two of the photographs were taken in the 30 minutes or so before dawn. For me that’s a magical time; very still, the World haven not fully woken. A not-so-magical time is when my alarm goes off at 4:30a.m., but if I do force myself out of bed it is often well worth the effort. The final image of Exeter historic quay was actually an evening shot, around 9p.m. on a warm evening in early June. The sun had just set, leaving a dramatic sky but with most of the quayside in deep shadow. To bring out this detail I created an HDR (High Dynamic Range) image as a composite from four seperate images covering (if memory serves me correctly) six full stops. The images were then processed using Photomatix and Photoshop. The hardest part of compilations like these are what to leave out. Thus reflections is a theme I will no doubt return to, with a ‘Reflections’ gallery up soon. All feedback, including reports of any gliches, most welcome.
The Turf Locks Pub, Turf Lock, Exeter Canal, Devon, England. Image No MBI000900. Please email me, quoting this number if you’d like to licence use of this image.
The Turf Locks Pub, Turf Lock, Exeter Canal, Devon, England. Image No MBI000900
Yachts reflected on the calm waters of Exeter Canal on a winter’s day Image No. MBI000775. Please email me, quoting this number if you’d like to licence use of this image.
Yachts reflected on the calm waters of Exeter Canal on a winter's day. Image MBI000775.
. Sunrise over the Navua River, Viti Levu, Fiji. Image No. MBI000583. Please email me, quoting this number if you’d like to licence use of this image.
Sunrise over the Navua river near the mouth at Beqa Lagoon, Viti Levu, Fiji. Image MBI000583.
Frozen birch trees and snow-capped mountains reflected on the waters of Loch Ness, Scotland. Image No. MBI000124. Please email me, quoting this number if you’d like to licence use of this image.
Frozen birch trees and snow-capped mountains reflected on the waters of Loch Ness, Scotland,. Image MBI000124
.Exeter quayside at night. Exeter’s historic quayside. Devon, England . Image No. MBI000890. Please email me, quoting this number if you’d like to licence use of this image.
Exeter quayside at night. Exeter's historic quayside. Devon, England.
Steps Bridge, River Teign, Dunsford Wood, in mid-winter
This has turned out to be one of the coldest Christmas days on record here in South Devon. Living on a boat, this has not escaped my attention. I haven’t been moving too far from the woodburner stove at night. For the second winter in a row I’ve been locked in ice for weeks on end. Around 2a.m. this morning I was woken by a loud bang and the whole boat shuddering strongly. It was around minus 10 Centigrade (~14deg F) and Maria had shifted as the ice thickened and expanded. Maria weighs around 30 tons. I climbed on to deck to check the thickness of the ice. A few hard thumps with an old wooden oar succeeded only in sending gunshot-like sounds ricocheting through the night and splintering the blade of the oar. I gave up and retired to bed. Maria is very stoutly built with oak frames at 11″ spacing, she wasn’t about to be crushed. I just don’t want the ice to get any thicker.
River Teign partially frozen, Dunsford Wood, South Devon, UK.
Christmas day was perfect: clear blue skies and crisp white snow underfoot. So after doing the family stuff in the morning I decided to take my son Calum walking in the Teign Valley through Dunsford Wood. It would certainly give us an appetite for Christmas dinner. Dunsford Wood is owned by the National Trust and Managed by the Devon Wildlife Trust, with footpaths through the woodland and along the riverbank open to the public. In summer it is a great place to see huge wood ant colonies and the rare High Brown Fritillary butterfly. Year round it’s a great place to walk; light open oak, hazel and ash woodland on one side and on the other the river lazily gliding past (or thundering past, depending on season). As it happened, the river was doing neither along much of the walk on Christmas Day; or if it was drifting past it was doing so beneath a carapace of ice. We were lucky enough spot a couple of dippers (Cinclus cinclus) as we walked ( a first for my son). We watched one for several minutes as it skipped between sheets of ice-covered river, occasionally slipping beneath the surface where it found ice-free water. Unfortunately the sun was already low and the only long lens I had with me was way too slow, so I didn’t bother getting it out. As the sun set and the temperature plumetted we headed back to the landrover hoping that the stove would still be going when we got back to the boat.
River Teign partially frozen, Dunsford Wood, South Devon, UK.
Snow-covered upland oak woodland along banks of the River Teign, Dunsford Wood, South Devon, UK.
As always my images are available to license and as fine art prints. If you’d like to use one of my images for publication please contact me. If you’d like a print of one of the images drop me an email stating image number and print size (costs for prints can be found on my fine art prints pages, e.g. Fine Art prints of Devon
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