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The advantages of winter photography

The advantages of winter photography

A friend of mine recently complained that she wished winter would hurry up and end so she could get out and start taking photographs again. No, no! I contradicted, winter is a fantastic time for taking photographs; all those heavy, brooding skies, the low sun, those stormy seas and frost-coated landscapes. It’s true I’ve never been a fan bright sunny scenes; give me grey, moody, atmospheric vistas any day. A sun high in the sky rarely makes for great photographs, even in summer landscapes generally appear more interesting shortly after dawn or close to sunset when the sun is low.

Sunrise over Cockwood Harbour at low tide, Exe Estuary, Devon.

Dawn over Cockwood Harbour on a frosty December morning.

In winter the sun follows a lower arc across the sky, thus a greater proportion of the available daylight produces what is, in my view, a more interesting light. A corollary of this is that the sun rises later and sets earlier, thus one does not have to drag oneself out of bed at five in the morning, or hang around until almost 10pm, to get those sunrise and sunset shots. It is true that some wildlife shots become trickier when one has to work with slower shutter speeds and wider apertures, and sometimes one has to rely on a tripod, not exactly condusive to high mobility for stalking some flighty subject. However, on the flip side, many animals become markedly less wary in winter, when hunger overrides normal timidity.

Heavy rain clouds above Teignmouth Pier, Teignmouth, Devon, England, UK.

A long exposure shot of Teignmouth Pier on a winter’s afternoon. Teignmouth, Devon.

I have always been fond of long exposure shots of moving water, producing beautiful soft, fluid and slightly surreal effects on waterfalls or waves on the beach. This does require low light levels entering the camera though, and in summer (even at minimum apertures) one must either stack neutral density filters in front of the lens, or get up really early or wait really late to get those shots around dawn or dusk. In winter it is so much easier, light levels are much lower anyway and as the sun rises and sets at a more acute angle to the horizon so the period of gloomy light lasts that much longer. This can be crucial if you are rushing between spots to try and find the best angle for you ‘money shot’. So dig out the winter boots and woolly hat and make the most of these chilly and gloomy landscapes. If nothing else it’s such a great excuse to eat lots of chocolate and warm up in a pub afterwards.

Start Point and Start Bay, South Devon

Rocky headland, Start Point, South Devon, England. Image MBI000921.
Rock Ridge and sky, Start Point, Rock Ridge and sky, Start Point, South Devon, England. Image No. MBI000920. Colin Munro Photography

South Devon, England. Image No. MBI000920.

 

Rocky headland, Start Point, South Devon, England. Image MBI000921.

Rocky headland, Start Point, South Devon, England. Image MBI000921.

 A very blustery day in late June saw see scrambling around the rocks on Start Point with my son.  The southwesterly wind was whipping white horses off the wave tops on the western side of the headland; to the east, sheltered by the high rocks of Start Point, the water within Start bay was almost mirror smooth, disturbed only by surface ripples.

Start Bay from Start Point,  South Devon, England. Image No. MBI000922.

Start Bay from Start Point, South Devon, England. Image No. MBI000922.

 

As ever, these images are available to reproduce as rights managed images or as art prints on a variety of media.  If you’d like to use any of the images in a publication, display, website etc., please email be (colin ‘at’ colinmunrophotography.com) noting the image number and where you’d like to use the image.  If you are interested in a print, please visit the prints page for options then email me. Thanks, Colin Munro.